er up all her life. Oh,
Doctor, Doctor, save her, pray for her! It a'n't her fault. It a'n't
her fault. If they knew all that I know, they wouldn't blame that poor
child. I must tell you, Doctor: if I should die, perhaps nobody else
would tell you. Massa Venner can't talk about it. Doctor Kittredge won't
talk about it. Nobody but old Sophy to tell you, Doctor; and old Sophy
can't die without telling you."

The kind minister soothed the poor old soul with those gentle, quieting
tones which had carried peace and comfort to so many chambers of
sickness and sorrow, to so many hearts overburdened by the trials laid
upon them.

Old Sophy became quiet in a few minutes, and proceeded to tell her
story. She told it in the low half-whisper which is the natural voice
of lips oppressed with grief and fears; with quick glances around the
apartment from time to time, as if she dreaded lest the dim portraits on
the walls and the dark folios on the shelves might overhear her words.

It was not one of those conversations which a third person can report
minutely, unless by that miracle of clairvoyance known to the readers
of stories made out of authors' brains. Yet its main character can be
imparted in a much briefer space than the old black woman took to give
all its details.

She went far back to the time when Dudley Venner was born,--she being
then a middle-aged woman. The heir and hope of a family which had been
narrowing down as if doomed to extinction, he had been surrounded with
every care and trained by the best education he could have in New
England. He had left college, and was studying the profession which
gentlemen of leisure most affect, when he fell in love with a young girl
left in the world almost alone, as he was. The old woman told the story
of his young love and his joyous bridal with a tenderness which had
something more, even, than her family sympathies to account for it. Had
she not hanging over her bed a small paper-cutting of a profile--jet
black, but not blacker than the face it represented--of one who would
have been her own husband in the small years of this century, if the
vessel in which he went to sea, like Jamie in the ballad, had not sailed
away and never come back to land? Had she not her bits of furniture
stowed away which had been got ready for her own wedding,--_two_
rocking-chairs, one worn with long use, one kept for him so long that it
had grown a superstition with her never to sit in it,--and m