re then
beginning to experience the same treatment in England which English
authors have suffered in America. The wonder was that Washington
Irving's works so long escaped the same doom.

In 1819 Mr. Murray first made the acquaintance of Ugo Foscolo. A native
of Zante, descended from a Venetian family who had settled in the Ionian
Islands, Foscolo studied at Padua, and afterwards took up his residence
at Venice. The ancient aristocracy of that city had been banished by
Napoleon Bonaparte, and the conqueror gave over Venice to Austria.
Foscolo attacked Bonaparte in his "Lettere di Ortis." After serving as a
volunteer in the Lombard Legion through the disastrous campaign of 1799,
Foscolo, on the capitulation of Genoa, retired to Milan, where he
devoted himself to literary pursuits. He once more took service--under
Napoleon--and in 1805 formed part of the army of England assembled at
Boulogne; but soon left the army, went to Pavia (where he had been
appointed Professor of Eloquence), and eventually at the age of forty
took refuge in England. Here he found many friends, who supported him in
his literary efforts. Among others he called upon Mr. Murray, who
desired his co-operation in writing for the _Quarterly_. An article, on
"The Poems of the Italians" was his first contribution. Mr. Thomas
Mitchell, the translator of "Aristophanes," desired Mr. Murray to give
Foscolo his congratulations upon his excellent essay, as well as on his
acquaintance with our language.

_Mr. Thomas Mitchell to John Murray_.

"The first time I had the pleasure of seeing M. Foscolo was at a _table
d'hote_ at Berne. There was something in his physiognomy which very much
attracted nay notice; and, for some reason or another, I thought that I
seemed to be an object of his attention. At table, Foscolo was seated
next to a young Hanoverian, between whom and me a very learned
conversation had passed on the preceding evening, and a certain degree
of acquaintance was cemented in consequence. The table was that day
graced with the appearance of some of the Court ladies of Stuttgard, and
all passed off with the decorum usually observed abroad, when suddenly,
towards the conclusion of the feast a violent hubbub was heard between
M. Foscolo and his Hanoverian neighbour, who, in angry terms and with
violent gestures, respectively asserted the superior harmonies of Greek
and Latin. This ended with the former's suddenly producing a card,
accompanied with the