d it does not appear to have obtained a considerable circulation. The
first editors were Thomas Pringle, who--in conjunction with a
friend--was the author of a poem entitled "The Institute," and James
Cleghorn, best known as a contributor to the _Farmers' Magazine_.
Constable, who was himself the proprietor of the _Scots Magazine_ as
well as of the _Farmers' Magazine_, desired to keep the monopoly of the
Scottish monthly periodicals in his own hands, and was greatly opposed
to the new competitor. At all events, he contrived to draw away from
Blackwood Pringle and Cleghorn, and to start a new series of the _Scots
Magazine_ under the title of the _Edinburgh Magazine_. Blackwood
thereupon changed the name of his periodical to that by which it has
since been so well known. He undertook the editing himself, but soon
obtained many able and indefatigable helpers.

There were then two young advocates walking the Parliament House in
search of briefs. These were John Wilson (Christopher North) and John
Gibson Lockhart (afterwards editor of the _Quarterly_). Both were
West-countrymen--Wilson, the son of a wealthy Paisley manufacturer, and
Lockhart, the son of the minister of Cambusnethan, in Lanarkshire--and
both had received the best of educations, Wilson, the robust Christian,
having carried off the Newdigate prize at Oxford, and Lockhart, having
gained the Snell foundation at Glasgow, was sent to Balliol, and took a
first class in classics in 1813. These, with Dr. Maginn--under the
_sobriquet_ of "Morgan O'Dogherty,"--Hogg--the Ettrick Shepherd,--De
Quincey--the Opium-eater,--Thomas Mitchell, and others, were the
principal writers in _Blackwood_.

No. 7, the first of the new series, created an unprecedented stir in
Edinburgh. It came out on October 1, 1817, and sold very rapidly, but
after 10,000 had been struck off it was suppressed, and could be had
neither for love nor money. The cause of this sudden attraction was an
article headed "Translation from an Ancient Chaldee Manuscript,"
purporting to be an extract from some newly discovered historical
document, every paragraph of which contained a special hit at some
particular person well known in Edinburgh society. There was very little
ill-nature in it; at least, nothing like the amount which it excited in
those who were, or imagined themselves to be, caricatured in it.
Constable, the "Crafty," and Pringle and Cleghorn, editors of the
_Edinburgh Magazine_, as well as Jeffrey,