, in order to
save his country. The chasm immediately closed over him, and Rome was
saved. Although the truth of the story has naturally failed to survive
the investigations of historical critics, its moral inspiration has
been effective in many historical instances.]
[Note 8: _Party for the Derby_. Derby Day, which is the occasion of
the most famous annual running race for horses in the world, takes
place in the south of England during the week preceding Whitsunday.
The race was founded by the Earl of Derby in 1780. It is now one of
the greatest holidays in England, and the whole city of London turns
out for the event. It is a great spectacle to see the crowd going from
London and returning. The most faithful description of the event, the
crowds, and the interest excited, may be found in George Moore's
novel, _Esther Waters_ (1894).]
[Note 9: _The deified Caligula_. Caius Caligula was Roman Emperor from
37 to 41 A. D. He was brought up among the soldiers, who gave him the
name Caligula, because he wore the soldier's leather shoe, or
half-boot, (Latin _caliga_). Caligula was deified, but that did not
prevent him from becoming a madman, which seems to be the best way to
account for his wanton cruelty and extraordinary caprices.]
[Note 10: _Baiae_ was a small town on the Campanian Coast, ten miles
from Naples. It was a favorite summer resort of the Roman
aristocracy.]
[Note 11: The _Praetorian Guard_ was the body-guard of the Roman
emperors. The incident Stevenson speaks of may be found in Tacitus.]
[Note 12: _Job_ ... _Walt Whitman_. The book of _Job_ is usually
regarded as the most poetical work in the Bible, even exceeding
_Psalms_ and _Isaiah_ in its splendid imaginative language and
extraordinary figures of speech. For a literary study of it, the
student is recommended to Professor Moulton's edition. Omar Khayyam
was a Persian poet of mediaeval times, who became known to English
readers through the beautiful paraphrase of some of his stanzas by
Edward Fitzgerald, in 1859. If any one will take the trouble to
compare a literal prose rendering of Omar (as in N.H. Dole's variorum
edition) with the version by Fitzgerald, he will speedily see that the
power and beauty of the poem is due far more to the skill of "Old
Fitz" than to the original. Thomas Carlyle (1795-1881) was perhaps the
foremost writer of English prose in the nineteenth century. Although a
consummate literary artist, he was even more influential
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