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about. They had learnt French; she had learnt Paris. From that time onward she was probably the most truly cosmopolitan of all the aristocratic Englishwomen of her day. Distinguished foreigners who visited London generally paid their first private call on her. Her house was European rather than English. She kept, too, her apartment in Paris, and lived there almost as much as she lived in London. And, perhaps, her secret wildness was more at home there. Scandal, of course, could not leave her untouched. But her position in society was never challenged. People said dreadful things about her, but everyone who did not know her wanted to know her, and no one who knew her wished not to know her. She "stood out" from all the other women in England of her day, not merely because of her beauty--she was not more beautiful than several of her contemporaries--but because of her gay distinction, a daring which was never, which could not be, ill bred, her extraordinary lack of all affectation, and a peculiar and delightful bonhomie which made her at home with everyone and everyone at home with her. Servants and dependents loved her. Everyone about her was fond of her. And yet she was certainly selfish. Invariably almost she was kind to people, but herself came first with her. She made few sacrifices, and many sacrificed themselves to her. There was seldom a moment when incense was not rising up before her altar, and the burnt offerings to her were innumerable. And all through these years she was sinking more deeply into slavery, while she was ruling others. Her slavery was to herself. She was the captive of her own vanity. Her love of admiration had developed into an insatiable passion. She was ceaselessly in her tower spying out for fresh lovers. From afar off she perceived them, and when they drew near to her castle she stopped them on their way. She did not love them and cast them to death like Tamara of the Caucasus. No; but she required of them the pause on their travels, which was a tribute to her power. No one must pass her by as if she were an ordinary woman. Probably there is no weed in all the human garden which grows so fast as vanity. Lady Sellingworth's vanity grew and grew with the years until it almost devoured her. It became an idee fixe in her. A few people no doubt knew this--a few women. But she was saved from all vulgarity of vanity by an inherent distinction, not only of manner but of something more intimate
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