AT BROOKFIELD
LV. THE TRAGEDY OF SENTIMENT
LVI. AN ADVANCE AND A CHECK.
LVII. CONTAINS A FURTHER ANATOMY OF WILFRID
LVIII. FROST ON THE MAY NIGHT.
LVIX. EMILIA'S GOOD-BYE
SANDRA BELLONI
[ORIGINALLY EMILIA IN ENGLAND]
CHAPTER I
We are to make acquaintance with some serious damsels, as this English
generation knows them, and at a season verging upon May. The ladies of
Brookfield, Arabella, Cornelia, and Adela Pole, daughters of a
flourishing City-of-London merchant, had been told of a singular thing:
that in the neighbouring fir-wood a voice was to be heard by night, so
wonderfully sweet and richly toned, that it required their strong sense
to correct strange imaginings concerning it. Adela was herself the chief
witness to its unearthly sweetness, and her testimony was confirmed by
Edward Buxley, whose ear had likewise taken in the notes, though not on
the same night, as the pair publicly proved by dates. Both declared that
the voice belonged to an opera-singer or a spirit. The ladies of
Brookfield, declining the alternative, perceived that this was a surprise
furnished for their amusement by the latest celebrity of their circle,
Mr. Pericles, their father's business ally and fellow-speculator; Mr.
Pericles, the Greek, the man who held millions of money as dust compared
to a human voice. Fortified by this exquisite supposition, their strong
sense at once dismissed with scorn the idea of anything unearthly,
however divine, being heard at night, in the nineteenth century, within
sixteen miles of London City. They agreed that Mr. Pericles had hired
some charming cantatrice to draw them into the woods and delightfully
bewilder them. It was to be expected of his princely nature, they said.
The Tinleys, of Bloxholme, worshipped him for his wealth; the ladies of
Brookfield assured their friends that the fact of his being a money-maker
was redeemed in their sight by his devotion to music. Music was now the
Art in the ascendant at Brookfield. The ladies (for it is as well to know
at once that they were not of that poor order of women who yield their
admiration to a thing for its abstract virtue only)--the ladies were
scaling society by the help of the Arts. To this laudable end sacrifices
were now made to Euterpe to assist them. As mere daughters of a merchant,
they were compelled to make their house not simply attractive, but
enticing; and, seeing that they liked music, it seemed a v
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