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applied by the best writers to the storage of books; and, after a careful study of the passages in which they occur, I conclude that, so long as rolls only had to be accommodated, private libraries in Rome were fitted with rows of shelves standing against the walls (_plutei_), or fixed to them (_pegmata_). The space between these horizontal shelves was subdivided by vertical divisions into pigeon-holes (_nidi_, _foruli_, _loculamenta_), and it may be conjectured that the width of these pigeon-holes would vary in accordance with the number of rolls included in a single work. That such receptacles were the common furniture of a library is proved, I think, by such evidence as the epigram of Martial quoted above, in which he tells his friend that if he will accept his poems, he may "put them even in the lowest pigeon-hole (_nido vel imo_)," as we should say, "on the bottom shelf"; and by the language of Seneca when he sneers at the "pigeon-holes (_loculamenta_) carried up to the ceiling." The height of the woodwork varied, of course, with individual taste. In the library on the Esquiline the height was only three feet six inches; at Herculaneum about six feet. I can find no hint of any doors, or curtains, in front of the pigeon-holes. That the ends of the rolls (_frontes_) were visible, is, I think, quite clear from what Cicero says of his own library after the construction of his shelves (_pegmata_); and the various devices for making rolls attractive seem to me to prove that they were intended to be seen. A representation of rolls arranged on the system which I have attempted to describe, occurs on a piece of sculpture (fig. 11) found at Neumagen near Treves in the seventeenth century, among the ruins of a fortified camp attributed to Constantine the Great[87]. Two divisions, full of rolls, are shewn, from which a man, presumably the librarian, is selecting one. The ends of the rolls are furnished with tickets. [Illustration: Fig. 11. A Roman taking down a roll from its place in a library.] The system of pigeon-holes terminated, in all probability, in a cornice. The explorers of Herculaneum depose to the discovery of such an ornament there. The wall-space above the book-cases was decorated with the likenesses of celebrated authors--either philosophers, if the owner of the library wished to bring into prominence his adhesion to one of the fashionable systems--or authors, dead and living, or personal friends. T
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