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lf-estimate. He says in a fit of humility, writing to Carlyle:-- "I do not belong to the poets, but only to a low department of literature, the reporters, suburban men." But Miss Peabody writes to Mr. Ireland:-- "He once said to me, 'I am not a great poet--but whatever is of me _is a poet_.'" These opposite feelings were the offspring of different moods and different periods. Here is a fragment, written at the age of twenty-eight, in which his self-distrust and his consciousness of the "vision," if not "the faculty, divine," are revealed with the brave nudity of the rhythmic confessional:-- "A dull uncertain brain, But gifted yet to know That God has cherubim who go Singing an immortal strain, Immortal here below. I know the mighty bards, I listen while they sing, And now I know The secret store Which these explore When they with torch of genius pierce The tenfold clouds that cover The riches of the universe From God's adoring lover. And if to me it is not given To fetch one ingot thence Of that unfading gold of Heaven His merchants may dispense, Yet well I know the royal mine And know the sparkle of its ore, Know Heaven's truth from lies that shine,-- Explored, they teach us to explore." These lines are from "The Poet," a series of fragments given in the "Appendix," which, with his first volume, "Poems," his second, "May-Day, and other Pieces," form the complete ninth volume of the new series. These fragments contain some of the loftiest and noblest passages to be found in his poetical works, and if the reader should doubt which of Emerson's self-estimates in his two different moods spoken of above had most truth in it, he could question no longer after reading "The Poet." Emerson has the most exalted ideas of the true poetic function, as this passage from "Merlin" sufficiently shows:-- "Thy trivial harp will never please Or fill my craving ear; Its chords should ring as blows the breeze, Free, peremptory, clear. No jingling serenader's art Nor tinkling of piano-strings Can make the wild blood start In its mystic springs; The kingly bard Must smite the chords rudely and hard, As with hammer or with mace; That they may render back Artful thunder, which conveys Secrets of the solar track, Sparks of the supersolar blaze. * * * * * Great is the art,
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