The Project Gutenberg EBook of The Lumley Autograph, by Susan Fenimore Cooper
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Title: The Lumley Autograph
Author: Susan Fenimore Cooper
Posting Date: October 24, 2008 [EBook #2164]
Release Date: May, 2000
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK THE LUMLEY AUTOGRAPH ***
Produced by Hugh C. MacDougall. HTML version by Al Haines.
THE LUMLEY AUTOGRAPH
by
Susan Fenimore Cooper
{by Susan Fenimore Cooper (1813-1894), daughter of James Fenimore
Cooper. "The Lumley Autograph" was published in Graham's Magazine,
Volume 38 (January-June 1851), pp. 31-36, 97-101. The author is
identified only in the table of contents for Volume 38, p. iii, where
she is described as "the Author of 'Rural Hours'".
{Transcribed by Hugh C. MacDougall, Secretary, James Fenimore Cooper
Society; jfcooper@wpe.com. Notes by the transcriber, including
identification of historical characters and translations of foreign
expressions, follow the paragraphs to which they refer, and are
enclosed in {curly brackets}. The spelling of the original has been
reproduced as printed, with unusual spellings identified by {sic}.
Because of the limitations of the the Gutenberg format, italics and
accents (used by the author for some foreign words, and in a few
quotations) have been ignored. A few missing periods and quotation
marks have been silently inserted.
{A brief introduction to "The Lumley Autograph.":
{"The Lumley Autograph" was inspired, as Susan's introductory note
states, by the constant stream of letters received by her father,
asking in often importunate terms for his autograph or for pages from
his manuscripts, and even requesting that he supply autographs of other
famous men who might have written to him. He generally complied with
these requests courteously and to the best of his ability; after his
death in 1851, Susan continued to do so, as well as selling fragments
of his manuscripts to raise money for charity during the Civil War.
{"The Lumley Autograph" is of interest today primarily because it is a
good story. Its broad satire about the autograph collecting mania of
the mid-nineteenth century
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