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xt?" This conviction, deeply rooted in Vanna's mind, made her strong to resist all arguments and reproaches, and the end of the year found her established as a nurse at one of the largest and most advanced of the great London hospitals. CHAPTER TWENTY. AFTER FIVE YEARS. Five years later Vanna Strangeways and Piers Rendall were taking tea with Robert and Jean Gloucester in their London home. Those years of busy living had left their trace on all four friends; but, as is usually the case, these changes were most marked on the faces of the women. A man of forty is almost invariably handsomer than the same man at the age of twenty-five; but though a woman may gain in expression, the delicate bloom of youth is a charm which can never be replaced. Jean Gloucester would always be beautiful, but already in her thirtieth year she wore a worn and fragile air. The two children who now occupied the nursery upstairs had made heavy demands on her strength. Jean was one of the women who, though naturally robust, seem totally unfitted for the strain of child-bearing. Her figure was slight almost to emaciation, and her cheeks had lost their bloom, but she was still a picture fascinating to the eye as she leant back against the cushions of the sofa--bright rose-coloured cushions, newly covered to show off the beauty of a wonderful grey gown made in the long flowing folds which she affected, and which were in striking contrast to the inartistic dresses of the period. In whatever direction Jean economised it was never in dress or household decorations. She was one of the women in whom the beauty instinct takes precedence above other tastes. If it had been her lot to live in a garret on ten shillings a week she would have deprived herself of food until she had saved enough money to paper the walls with a harmonious colour, and to buy a strip of curtaining to match. To purchase a prosaic garment for five pounds, when an artistic one could be procured for ten, was to her practically an impossibility. She stifled any pangs of conscience by arguing that the outlay was economical in the end. Good things wore longer, one did not grow wearied of them as of cheaper designs; and, to do her justice, these theories were invariably supported by her husband. His wife's beauty was a continual joy to Robert Gloucester, and he took a boyish delight in the moments when, walking by her side, he encountered chance City friends, and
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