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nufacture of better baskets for the fruit trade between Cyprus and Egypt the Agricultural Department provides practical instruction in basket-making, and a qualified teacher pays occasional visits to basket-making villages and demonstrates the work and teaches improved patterns to the villagers and school boys. _Fruit and Vegetable Preserving_ There is little doubt that the establishment of small factories for canning or bottling fruits and vegetables would be a profitable undertaking. Owing to the suddenness with which, in the heat of summer, the fruits ripen in Cyprus, and the consequent glut that often ensues, market prices fall to a point at which it does not pay to pick and handle. Transport difficulties also make it precarious, in the case of soft fruits, to attempt a sale outside the immediate place of production. Increased cultivation is thus discouraged. In growing fruits or vegetables for canning or bottling a man is independent of market fluctuations, whereas at present both producers and consumers are in the hands of the local shopkeepers, who have the former entirely at their mercy. The Egyptian fruit and vegetable trade is very well worth cultivating, but until better measures can be enforced in the matter of transport by sea as well as land, shippers run the risk of heavy losses, which, no doubt, recoil upon the unlucky producers. * * * * * Specimens of most of the products referred to in these notes may be seen in the Cyprus Court in the Public Exhibition Galleries of the Imperial Institute. _Printed by Hazell, Watson & Viney, Ld., London and Aylesbury, England._ * * * * * Transcriber's note: In the original, illustrations were marked as 'facing page.' That has not been reproduced in this e-book. ***END OF THE PROJECT GUTENBERG EBOOK NOTES ON AGRICULTURE IN CYPRUS AND ITS PRODUCTS*** ******* This file should be named 32392.txt or 32392.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/3/2/3/9/32392 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties.
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