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spective labors. The hundreds, which in the old time were deemed a respectable if not an extensive collection, would look insignificant beside the ostentatious array of modern libraries. But the very tenor of a monastic life compelled the monk to seek the sweet yet silent companionship of books; the rules of his order and the regulations of his fraternity enforced the strictest silence in the execution of his daily and never-ceasing duties. Attending mass, singing psalms, and midnight prayers, were succeeded by mass, psalms and prayers in one long undeviating round of yearly obligations; the hours intervening between these holy exercises were dull and tediously insupportable if unoccupied. Conversation forbidden, secular amusements denounced, yet idleness reproached, what could the poor monk seek as a relief in this distress but the friendly book; the willing and obedient companion of every one doomed to lonely hours and dismal solitude? The pride and glory of a monastery was a well stored library, which was committed to the care of the armarian, and with him rested all the responsibility of its preservation. According to the Consuetudines Canonicorum Regularium, it was his duty to have all the books of the monastery in his keeping catalogued and separately marked with their proper names.[16] Some of these old catalogues have been preserved, and, viewed as bibliographical remains of the middle ages, are of considerable importance; indeed, we cannot form a correct idea of the literature of those remote times without them. Many productions of authors are recorded in these brief catalogues whose former existence is only known to us by these means. There is one circumstance in connexion with them that must not be forgotten: instead of enumerating all the works which each volume contained, they merely specified the first, so that a catalogue of fifty or a hundred volumes might probably have contained nearly double that number of distinct works. I have seen MSS. formerly belonging to monasteries, which have been catalogued in this way, containing four or five others, besides the one mentioned. Designed rather to identify the book than to describe the contents of each volume, they wrote down the first word or two of the second leaf--this was the most prevalent usage; but they often adopted other means, sometimes giving a slight notice of the works which a volume contained; others took the precaution of noting down the last
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