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Project Gutenberg's Chambers's Edinburgh Journal, No. 436, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Chambers's Edinburgh Journal, No. 436 Volume 17, New Series, May 8, 1852 Author: Various Editor: Robert Chambers and William Chambers Release Date: July 8, 2006 [EBook #18796] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK EDINBURGH JOURNAL *** Produced by Malcolm Farmer, Richard J. Shiffer and the Online Distributed Proofreading Team at http://www.pgdp.net. CHAMBERS' EDINBURGH JOURNAL CONDUCTED BY WILLIAM AND ROBERT CHAMBERS, EDITORS OF 'CHAMBERS'S INFORMATION FOR THE PEOPLE,' 'CHAMBERS'S EDUCATIONAL COURSE,' &c. No. 436. NEW SERIES. SATURDAY, MAY 8, 1852. PRICE 1-1/2_d._ THE MUSICAL SEASON. 'The English are not a musical people.' The dictum long stood unquestioned, and, in general estimation, unquestionable. All the world had agreed upon it. There could be no two opinions: we had no national airs; no national taste; no national appreciation of sweet sounds; musically, we were blocks! At length, however, the creed began to be called in question--were we so very insensible? If so, considering the amount of music actually listened to every year in London and the provinces, we were strangely given to an amusement which yielded us no pleasure; we were continually imposing on ourselves the direst and dreariest of tasks; we were tormenting ourselves with symphonies, and lacerating our patience with sonatas and rondos. What was the motive? Hypocrisy was very generally assigned. We only affected to love music. It was intellectual, spiritual, in all respects creditable to our moral nature, to be able to appreciate Mozart and Beethoven, and so we set up for connoisseurs, and martyrised ourselves that Europe might think us musical. Is there more truth in this theory than the other? Hypocrisy is not generally so lasting as the musical fervour has proved itself to be. A fashion is the affair of a season; a mania goes as it came; but regularly and steadily, for many years back, has musical appreciation been progressing, and as regularly have the opportunities for hea
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