iously be impossible, even if
I felt certain of the interpretation of all the facts. But I propose now
to follow rapidly the course of the action in so far as it specially
illustrates the character, reserving for separate consideration one
important but particularly doubtful point.

1

We left Hamlet, at the close of the First Act, when he had just received
his charge from the spirit of his father; and his condition was vividly
depicted in the fact that, within an hour of receiving this charge, he
had relapsed into that weariness of life or longing for death which is
the immediate cause of his later inaction. When next we meet him, at the
opening of the Second Act, a considerable time has elapsed, apparently
as much as two months.[54] The ambassadors sent to the King of Norway
(I. ii. 27) are just returning. Laertes, whom we saw leaving Elsinore
(I. iii.), has been in Paris long enough to be in want of fresh
supplies. Ophelia has obeyed her father's command (given in I. iii.),
and has refused to receive Hamlet's visits or letters. What has Hamlet
done? He has put on an 'antic disposition' and established a reputation
for lunacy, with the result that his mother has become deeply anxious
about him, and with the further result that the King, who was formerly
so entirely at ease regarding him that he wished him to stay on at
Court, is now extremely uneasy and very desirous to discover the cause
of his 'transformation.' Hence Rosencrantz and Guildenstern have been
sent for, to cheer him by their company and to worm his secret out of
him; and they are just about to arrive. Beyond exciting thus the
apprehensions of his enemy Hamlet has done absolutely nothing; and, as
we have seen, we must imagine him during this long period sunk for the
most part in 'bestial oblivion' or fruitless broodings, and falling
deeper and deeper into the slough of despond.

Now he takes a further step. He suddenly appears unannounced in
Ophelia's chamber; and his appearance and behaviour are such as to
suggest both to Ophelia and to her father that his brain is turned by
disappointment in love. How far this step was due to the design of
creating a false impression as to the origin of his lunacy, how far to
other causes, is a difficult question; but such a design seems certainly
present. It succeeds, however, only in part; for, although Polonius is
fully convinced, the King is not so, and it is therefore arranged that
the two shall secretly witne