FREE BOOKS

Author's List




PREV.   NEXT  
|<   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116  
117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   >>   >|  
ns of that madness. Nor is the dramatic use of this melancholy, again, open to the objections which would justly be made to the portrayal of an insanity which brought the hero to a tragic end. The man who suffers as Hamlet suffers--and thousands go about their business suffering thus in greater or less degree--is considered irresponsible neither by other people nor by himself: he is only too keenly conscious of his responsibility. He is therefore, so far, quite capable of being a tragic agent, which an insane person, at any rate according to Shakespeare's practice, is not.[47] And, finally, Hamlet's state is not one which a healthy mind is unable sufficiently to imagine. It is probably not further from average experience, nor more difficult to realise, than the great tragic passions of Othello, Antony or Macbeth. Let me try to show now, briefly, how much this melancholy accounts for. It accounts for the main fact, Hamlet's inaction. For the _immediate_ cause of that is simply that his habitual feeling is one of disgust at life and everything in it, himself included,--a disgust which varies in intensity, rising at times into a longing for death, sinking often into weary apathy, but is never dispelled for more than brief intervals. Such a state of feeling is inevitably adverse to _any_ kind of decided action; the body is inert, the mind indifferent or worse; its response is, 'it does not matter,' 'it is not worth while,' 'it is no good.' And the action required of Hamlet is very exceptional. It is violent, dangerous, difficult to accomplish perfectly, on one side repulsive to a man of honour and sensitive feeling, on another side involved in a certain mystery (here come in thus, in their subordinate place, various causes of inaction assigned by various theories). These obstacles would not suffice to prevent Hamlet from acting, if his state were normal; and against them there operate, even in his morbid state, healthy and positive feelings, love of his father, loathing of his uncle, desire of revenge, desire to do duty. But the retarding motives acquire an unnatural strength because they have an ally in something far stronger than themselves, the melancholic disgust and apathy; while the healthy motives, emerging with difficulty from the central mass of diseased feeling, rapidly sink back into it and 'lose the name of action.' We _see_ them doing so; and sometimes the process is quite simple, no analytical reflection on
PREV.   NEXT  
|<   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116  
117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   >>   >|  



Top keywords:
Hamlet
 

feeling

 

disgust

 
healthy
 

tragic

 

action

 

accounts

 

apathy

 

difficult

 

motives


melancholy

 
desire
 

suffers

 
inaction
 
matter
 

required

 

adverse

 

theories

 

assigned

 

decided


honour

 

violent

 

repulsive

 

perfectly

 

accomplish

 
dangerous
 

sensitive

 

indifferent

 

subordinate

 

mystery


involved

 

exceptional

 
response
 

difficulty

 

central

 

diseased

 

emerging

 

melancholic

 

stronger

 

rapidly


process
 
simple
 

analytical

 

reflection

 

operate

 
inevitably
 

morbid

 
positive
 
normal
 

prevent