ts, long established practices of bureaucratic
administration were eliminated and the court, i.e. the emperor and his
tools, the eunuchs, could create a rule by way of arbitrary decisions, a
despotic rule. For such purposes, eunuchs had to have education, and
these new educated eunuchs, when they had once secured a position, were
able to gain great influence in the immediate entourage of the emperor;
later such educated eunuchs were preferred, especially as many offices
were created which were only filled by eunuchs and for which educated
eunuchs were needed. Whole departments of eunuchs came into existence at
court, and these were soon made use of for confidential business of the
emperor's outside the palace.

These eunuchs worked, of course, in the interest of their families. On
the other hand, they were very ready to accept large bribes from the
gentry for placing the desires of people of the gentry before the
emperor and gaining his consent. Thus the eunuchs generally accumulated
great wealth, which they shared with their small gentry relatives. The
rise of the small gentry class was therefore connected with the
increased influence of the eunuchs at court.

7 _Literature, art, crafts_

The growth of the small gentry which had its stronghold in the
provincial towns and cities, as well as the rise of the merchant class
and the liberation of the artisans, are reflected in the new literature
of Ming time. While the Mongols had developed the theatre, the novel may
be regarded as the typical Ming creation. Its precursors were the
stories of story-tellers centuries ago. They had developed many styles,
one of which, for instance, consisted of prose with intercalated poetic
parts (_pien-wen_). Buddhists monks had used these forms of popular
literature and spread their teachings in similar forms; due to them,
many Indian stories and tales found their way into the Chinese
folklore. Soon, these stories of story-tellers or monks were written
down, and out of them developed the Chinese classical novel. It
preserved many traits of the stories: it was cut into chapters
corresponding with the interruptions which the story-teller made in
order to collect money; it was interspersed with poems. But most of all,
it was written in everyday language, not in the language of the gentry.
To this day every Chinese knows and reads with enthusiasm
_Shui-hu-chuan_ ("The Story of the River Bank"), probably written about
1550 by Wang Tao-k'un,