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of English and modern rather than mediaeval and foreign life." Noble as much of Mr. Browning's later work is, full of intellect, alive with excellent passages (in the first volume of the Dramatic Idyls [50] perhaps more powerful than in any earlier work); notwithstanding all that, we think the change here indicated matter of regret. After all, we have to conjure up ideal poets for ourselves out of those who stand in or behind the range of volumes on our book-shelves; and our ideal Browning would have for his entire structural type those two volumes of Men and Women with Pippa Passes. Certainly, it is a delightful world to which Mr. Browning has given us the key, and those volumes a delightful gift to our age-record of so much that is richest in the world of things, and men, and their works--all so much the richer by the great intellect, the great imagination, which has made the record, transmuted them into imperishable things of art:-- "'With souls should souls have place'--this, with Mr. Browning, is something more than a mere poetical conceit. It is the condensed expression of an experience, a philosophy, and an art. Like the lovers of his lyric, Mr. Browning has renounced the selfish serenities of wild-wood and dream-palace; he has fared up and down among men, listening to the music of humanity, [51] observing the acts of men, and he has sung what he has heard, and he has painted what he has seen. Will the work live? we ask; and we can answer only in his own words-- It lives, If precious be the soul of man to man." 9th November 1887 IV. "ROBERT ELSMERE" [55] THOSE who, in this bustling age, turn to fiction not merely for a little passing amusement, but for profit, for the higher sort of pleasure, will do well, we think (after a conscientious perusal on our own part) to bestow careful reading on Robert Elsmere. A chef d'oeuvre of that kind of quiet evolution of character through circumstance, introduced into English literature by Miss Austen, and carried to perfection in France by George Sand (who is more to the point, because, like Mrs. Ward, she was not afraid to challenge novel-readers to an interest in religious questions), it abounds in sympathy with people as we find them, in aspiration towards something better--towards a certain ideal--in a refreshing sense of second thoughts everywhere. The author clearly has developed a remarkable natural aptitude for literature by liberal
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