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in the character of Queen Elizabeth, was invested by her with such emphatic grace and dignity as to call up murmurs of approbation [87] which swelled into thunders of applause. Her noble head is here engraved after Kneller, like the head of a magnificent visionary man. Should we really care for the greatest actors of the past could we have them before us? Should we find them too different from our accent of thought, of feeling, of speech, in a thousand minute particulars which are of the essence of all three? Dr. Doran's long and interesting records of the triumphs of Garrick, and other less familiar, but in their day hardly less astonishing, players, do not relieve one of the doubt. Garrick himself, as sometimes happens with people who have been the subject of much anecdote and other conversation, here as elsewhere, bears no very distinct figure. One hardly sees the wood for the trees. On the other hand, the account of Betterton, "perhaps the greatest of English actors," is delightfully fresh. That intimate friend of Dryden, Tillatson, Pope, who executed a copy of the actor's portrait by Kneller which is still extant, was worthy of their friendship; his career brings out the best elements in stage life. The stage in these volumes presents itself indeed not merely [88] as a mirror of life, but as an illustration of the utmost intensity of life, in the fortunes and characters of the players. Ups and downs, generosity, dark fates, the most delicate goodness, have nowhere been more prominent than in the private existence of those devoted to the public mimicry of men and women. Contact with the stage, almost throughout its history, presents itself as a kind of touchstone, to bring out the bizarrerie, the theatrical tricks and contrasts, of the actual world. 27th June 1888 VI. WORDSWORTH The Complete Poetical Works of William Wordsworth. With an Introduction by John Morley. Macmillans. The Recluse. By William Wordsworth. Macmillans. Selections from Wordsworth. By William Knight and other Members of the Wordsworth Society. With Preface and Notes. Kegan Paul. [91] THE appearance, so close to each other, of Professor Knight's careful and elaborately annotated Selections from William Wordsworth, of Messrs. Macmillan's collected edition of the poet's works, with the first book of The Recluse, now published for the first time, and of an excellent introductory essay by Mr. John Morley, forms
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