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He stopped, clumsily. "Okay. Speech ended." Karen drew a shivering breath and smiled at him. "And everything else just begun, Allen," she said. He nodded, feeling too much for words. "Get to bed with you," ordered Pappas. * * * * * Jessup led Lancaster off, and one by one the others drifted back to their jobs. Finally only Karen and Berg stood by the airlock. "You keep your beautiful mouth shut, my dear," said the man. "Oh, sure." Karen sighed unhappily. "I wish I'd never learned your scheme. When you explained it to me I wanted to shoot you." "You insisted on an explanation," said Berg defensively. "When Allen was due to go back to Earth, you wanted us to tell him who we were and keep him. But it wouldn't have worked. I've studied his dossier, and he's not the kind of man to switch loyalties that easily. If we were to have him at all, it could only be with his full consent. And now we've got him." "It was still a lousy trick," she said. "Of course it was. But we had no choice. We _had_ to have a first-rate physicist." "You know," she said, "you're a rat from way back." "That I am. And by and large, I enjoy it." Berg grimaced. "Though I must admit this job leaves a bad taste in my mouth. I like Allen. It was the hardest thing I ever did, tipping off the federal police about him." He turned on his heel and walked away, smiling faintly. Transcriber's Note: This etext was produced from _Space Science Fiction_ February 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of Security, by Poul William Anderson *** END OF THIS PROJECT GUTENBERG EBOOK SECURITY *** ***** This file should be named 22239.txt or 22239.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/2/3/22239/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties.
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