rious
rival. Indeed, Handel's skill in improvising both on the organ and
pianoforte created astonishment in all who heard him, and despite
Buononcini's hostility he made many friends. The Elector himself was
so delighted with his playing that he offered him a post at Court, and
even expressed his willingness to send him to Italy to pursue his
studies. Handel's father, however, refused his consent to both
proposals; no doubt he thought that if the boy developed according to
the promise which he showed it would be necessary to keep him free
from Court engagements, since it had happened in the case of others
that great difficulty had been experienced in breaking away from such
connections. The royal patrons of music were most anxious to obtain
the services of the best musicians, and naturally were very loath to
part with them when once secured. It was therefore determined that
Handel should return to Halle, and be placed once more under the care
of his old master. As may be imagined, Zachau was delighted to receive
his pupil back again, and, with no less joy on his part, Handel set to
work with increased energy to master the science of composition.
Whilst Handel was delighting the people of Berlin with his playing, a
little boy, who was destined to become one of the greatest of
musicians, was injuring his sight by copying out by moonlight the
manuscript music which he had taken from his elder brother's cupboard,
and helping to support himself by singing in the street, and at
weddings and funerals, snatching every moment that could be spared
from such work for adding to his knowledge of composition and
playing. That little boy was Johann Sebastian Bach.
About this time Handel formed a friendship with a young student named
Telemann, who was studying law at Leipzig. Curiously enough,
Telemann's history up to this point bore a close resemblance to that
of Handel. From a child he had been passionately devoted to music, but
it was his parents' wish that he should study law, and now, in
obedience to his mother's desire, he had come to Leipzig University.
The love of music, however, was strong within him, and the meeting
with Handel seems to have fired his passion anew. Yet he resolutely
set his face against the temptation to stray from the path laid down
for him, and to strengthen his resistance he put all his manuscript
compositions in the fire--all save one, which lay forgotten in an old
desk. It happened that a friend ligh
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