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war of Troy."] [Footnote 560: Dares Phrygius. A Latin account of the fall of Troy, written about the fifth century, which pretends to be a translation of a lost work on the fall of Troy by Dares, a Trojan priest mentioned in Homer's _Iliad_.] [Footnote 561: Ovid. A Roman poet who lived about the time of Christ, whose best-known work is the _Metamorphoses_, founded on classical legends.] [Footnote 562: Statius. A Roman poet of the first century after Christ.] [Footnote 563: Petrarch. An Italian poet of the fourteenth century.] [Footnote 564: Boccaccio. An Italian novelist and poet of the fourteenth century. See note on "Italian tales," 539. It is supposed that the plan of the _Decameron_ suggested the similar but far superior plan of Chaucer's _Canterbury Tales_.] [Footnote 565: Provencal poets. The poets of Provence, a province of the southeastern part of France. In the Middle Ages it was celebrated for its lyric poets, called troubadours.] [Footnote 566: Romaunt of the Rose, etc. Chaucer's _Romaunt of the Rose_, written during the period of French influence, is an incomplete and abbreviated translation of a French poem of the thirteenth century, _Roman de la Rose_, the first part of which was written by William of Loris and the latter by John of Meung, or Jean de Meung.] [Footnote 567: Troilus and Creseide, etc. Chaucer ascribes the Italian poem which he followed in his _Troilus and Creseide_ to an unknown "Lollius of Urbino"; the source of the poem, however, is _Il Filostrato_, by Boccaccio, the Italian poet already mentioned. Chaucer's poem is far more than a translation; more than half is entirely original, and it is a powerful poem, showing profound knowledge of the Italian poets, whose influence with him superseded the French poets.] [Footnote 568: The Cock and the Fox. _The Nun's Priest's Tale_ in the _Canterbury Tales_ was an original treatment of the _Roman de Renart_, of Marie of France, a French poet of the twelfth century.] [Footnote 569: House of Fame, etc. The plan of the _House of Fame_, written during the period of Chaucer's Italian influence, shows the influence of Dante; the general idea of the poem is from Ovid, the Roman poet.] [Footnote 570: Gower. John Gower was an English poet, Chaucer's contemporary and friend; the two poets went to the same sources for poetic materials, but Chaucer made no such use of Gower's works as we would infer from this passage. Emerson relied on
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