estige of the Italian States.
Europe was not prepared to regard that brilliant and hitherto respected
constellation of commonwealths, from which all intellectual culture,
arts of life, methods of commerce, and theories of political existence
had been diffused, as a single province of the Spanish monarchy. The
Spaniards themselves were scarcely in a position to entertain the
thought of reducing the peninsula to bondage _vi et armis_. And if they
had attempted any measure tending to this result, they would undoubtedly
have been resisted by an alliance of the European powers. What they
sought, and what they gained, was preponderating influence in each of
the parcels which they recognized as nominally independent.

The intellectual and social life of the Italians, though much reduced in
vigor, was therefore still, as formerly, concentrated in cities marked
by distinct local qualities, and boastful of their ancient glories. The
Courts of Ferrara and Urbino continued to form centers for literary and
artistic coteries. Venice remained the stronghold of mental unrestraint
and moral license, where thinkers uttered their thoughts with tolerable
freedom, and libertines indulged their tastes unhindered. Rome early
assumed novel airs of piety, and external conformity to austere patterns
became the fashion here. Yet the Papal capital did not wholly cease to
be the resort of students and of artists. The universities maintained
themselves in a respectable position--- far different, indeed, from that
which they had held in the last century, yet not ignoble. Much was
being learned on many lines of study divergent from those prescribed by
earlier humanists. Padua, in particular, distinguished itself for
medical researches. This was the flourishing time, moreover, of
Academies, in which, notwithstanding nonsense talked and foolish tastes
indulged, some solid work was done for literature and science. The names
of the Cimento, Delia Crusca, and Palazzo Vernio at Florence, remind us
of not unimportant labors in physics, in the analysis of language, and
in the formation of a new dramatic style of music. At the same time the
resurgence of popular literature and the creation of popular theatrical
types deserve to be particularly noticed. It is as though the Italian
nation at this epoch, suffocated by Spanish etiquette, and poisoned by
Jesuitical hypocrisy, sought to expand healthy lungs in free spaces of
open air, indulging in dialectical nicetie