Nor was this all. The Renaissance had created a critical spirit which
penetrated every branch of art and letters. It was not possible to
advance further on the old lines; yet painters, sculptors, architects,
and poets of the rising generation had before their eyes the
masterpieces of their predecessors, in their minds the precepts of the
learned. All alike were rendered awkward and self-conscious by the sense
of laboring at a disadvantage, and by the dread of academical
censorship.

In truth, this critical spirit, which was the final product of the
Renaissance in Italy, favored the development of new powers in the
nation: it hampered workers in the elder spheres of art, literature, and
scholarship; but it set thinkers upon the track of those investigations
which we call scientific. I shall endeavor, in a future chapter, to show
how the Italians were now upon the point of carrying the ardor of the
Renaissance into fresh fields of physical discovery and speculation,
when their evolution was suspended by the Catholic Reaction. But here
it must suffice to observe that formalism had succeeded by the operation
of natural influences to the vigor and inventiveness of the national
genius in the main departments of literature and fine art.

If we study the development of other European races, we shall find that
each of them in turn, at its due season, passed through similar phases.
The mediaeval period ends in the efflorescence of a new delightful
energy, which gives a Rabelais, a Shakspere, a Cervantes to the world.
The Renaissance riots itself away in Marinism, Gongorism, Euphuism, and
the affectations of the Hotel Rambouillet. This age is succeeded by a
colder, more critical, more formal age of obedience to fixed canons,
during which scholarly efforts are made to purify style and impose laws
on taste. The ensuing period of sense is also marked by profounder
inquiries into nature and more exact analysis of mental operations. The
correct school of poets, culminating in Dryden and Pope, holds sway in
England; while Newton, Locke, and Bentley extend the sphere of science.
In France the age of Rabelais and Montaigne yields place to the age of
Racine and Descartes. Germany was so distracted by religious wars, Spain
was so down-trodden by the Inquisition, that they do not offer equally
luminous examples.[8] It may be added that in all these nations the end
of the eighteenth and the beginning of the nineteenth centuries are
marked