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verty from the world; I plan it out in splendid generalities, sometimes in minute detail. . . . Of men, we naturally dream; but vaguely, in a curious and confused way. . . . Once, when I was fourteen, I saw a volunteer regiment passing; and it halted for a while in front of our house; and a brilliant being on a black horse turned lazily in his saddle and glanced up at our window. . . . Captain Selwyn, it is quite useless for you to imagine what fairy scenes, what wondrous perils, what happy adventures that gilt-corded adjutant and I went through in my dreams. Marry him? Indeed I did, scores of times. Rescue him? Regularly. He was wounded, he was attacked by fevers unnumbered, he fled in peril of his life, he vegetated in countless prisons, he was misunderstood, he was a martyr to suspicion, he was falsely accused, falsely condemned. And then, just before the worst occurred, _I_ appear!--the inevitable I." She dropped back into the chair, laughing. Her colour was high, her eyes brilliant; she laid her arms along the velvet arms of the chair and looked at him. "I've not had you to talk to for a whole week," she said; "and you'll let me; won't you? I can't help it, anyway, because as soon as I see you--crack! a million thoughts wake up in me and clipper-clapper goes my tongue. . . . You are very good for me. You are so thoroughly satisfactory--except when your eyes narrow in that dreadful far-away gaze--which I've forbidden, you understand. . . . _What_ have you done to your moustache?" "Clipped it." "Oh, I don't like it too short. Can you get hold of it to pull it? It's the only thing that helps you in perplexity to solve problems. You'd be utterly helpless, mentally, without your moustache. . . . When are we to take up our Etruscan symbols again?--or was it Evans's monograph we were laboriously dissecting? Certainly it was; don't you remember the Hittite hieroglyph of Jerabis?--and how you and I fought over those wretched floral symbols? You don't? And it was only a week ago? . . . And listen! Down at Silverside I've been reading the most delicious thing--the Mimes of Herodas!--oh, so charmingly quaint, so perfectly human, that it seems impossible that they were written two thousand years ago. There's a maid, in one scene, Threissa, who is precisely like anybody's maid--and an old lady, Gyllis--perfectly human, and not Greek, but Yankee of to-day! Shall we reread it together?--when you come down to stay with us
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