ous, pushed to a sort of passionate exaltation,
and more than faithful unto death. Such comradeship, though instances of
it are to be found everywhere, is still especially a classical motive;
Chaucer expressing the sentiment of it so strongly in an antique tale,
that one knows not whether the love of both Palamon and Arcite for
Emelya, or of those two for each other, is the chiefer subject of the
Knight's Tale--

He cast his eyen upon Emelya,
And therewithal he bleynte and cried, ah!
As that he stongen were unto the herte.

What reader does not refer part of the bitterness of that cry to the
spoiling, already foreseen, of that fair friendship, which had hitherto
made the prison of the two lads sweet with its daily offices--though the
friendship is saved at last?

The friendship of Amis and Amile is deepened by the romantic
circumstance of an entire personal resemblance between the two heroes,
so that they pass for each other again and again, and thereby into many
strange adventures; that curious interest of the Doppelgaenger, which
begins among the stars with the Dioscuri, being entwined in and out
through all the incidents of the story, like an outward token of the
inward similitude of their souls. With this, again, like a second
reflexion of that inward similitude, is connected the conceit of two
marvellously beautiful cups, also exactly like each other--children's
cups, of wood, but adorned with gold and precious stones. These two
cups, which by their resemblance help to bring the friends together at
critical moments, were given to them by the Pope, when he baptized them
at Rome, whither the parents had taken them for that purpose, in
thankfulness for their birth, and cross and recross in the narrative,
serving the two heroes almost like living things, and with that
well-known effect of a beautiful object kept constantly before the eye
in a story or poem, of keeping sensation well awake, and giving a
certain air of refinement to all the scenes into which it enters; with a
heightening also of that sense of fate, which hangs so much of the
shaping of human life on trivial objects, like Othello's strawberry
handkerchief; and witnessing to the enjoyment of beautiful handiwork by
primitive people, almost dazzled by it, so that they give it an oddly
significant place among the factors of a human history.

Amis and Amile, then, are true to their comradeship through all trials;
and in the end it comes to pass that