topographical knowledge:
Fig. XXXVI. opposite is a rude ground plan of the buildings round St.
Mark's Place; and the following references will clearly explain their
relative positions:
A. St. Mark's Place.
B. Piazzetta.
P. V. Procuratie Vecchie.
P. N. (opposite) Procuratie Nuove.
P. L. Libreria Vecchia.
I. Piazzetta de' Leoni.
T. Tower of St. Mark.
F F. Great Facade of St. Mark's Church.
M. St. Mark's. (It is so united with the Ducal Palace, that the
separation cannot be indicated in the plan, unless all the walls
had been marked, which would have confused the whole.)
D D D. Ducal Palace. g s. Giant's stair.
C. Court of Ducal Palace. J. Judgment angle.
c. Porta della Carta. a. Fig-tree angle.
p p. Ponte della Paglia (Bridge of Straw).
S. Ponte de' Sospiri (Bridge of Sighs).
R R. Riva de' Schiavoni.
The reader will observe that the Ducal Palace is arranged somewhat in
the form of a hollow square, of which one side faces the Piazzetta, B,
and another the quay called the Riva de' Schiavoni, R R; the third is on
the dark canal called the "Rio del Palazzo," and the fourth joins the
Church of St. Mark.
[Illustration: Fig. XXXVI.]
[Illustration: Fig. XXXVII.]
Of this fourth side, therefore, nothing can be seen. Of the other three
sides we shall have to speak constantly; and they will be respectively
called, that towards the Piazzetta, the "Piazzetta Facade;" that towards
the Riva de' Schiavoni, the "Sea Facade;" and that towards the Rio del
Palazzo, the "Rio Facade." This Rio, or canal, is usually looked upon by
the traveller with great respect, or even horror, because it passes
under the Bridge of Sighs. It is, however, one of the principal
thoroughfares of the city; and the bridge and its canal together occupy,
in the mind of a Venetian, very much the position of Fleet Street and
Temple Bar in that of a Londoner,--at least, at the time when Temple Bar
was occasionally decorated with human heads. The two buildings closely
resemble each other in form.
Sec. IV. We must now proceed to obtain some rough idea of the appearance
and distribution of the palace itself; but its arrangement will be
better understood by supposing ourselves raised some hundred and fifty
feet above the point in the lagoon in front of it, so as to get a
general view of the Sea Facade and Rio Facade (the latter in very steep
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