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icus_ (Erfurt, 1738), pp. 104 and 100, and also J. Mattheson, _Das neu-eroeffnete Orchester_ (Hamburg, 1713), "Basson," from whom Eisel borrowed. [15] See the _New English Dictionary_, and Bateman upon Bartholinus, 423, 1, margin. [16] British Museum, Harl. MS. 2034, fol. 207_b_, a reference communicated by Augustus Hughes-Hughes from his valuable appendix to part iii. (Instrumental Music and Works on Music) of a _Catalogue of MS. Music in the British Museum_ (London, 1908-1909). The Appendix contains a list of typical musical instruments represented in illuminated MSS., or described in other MSS. in the British Museum, with a brief description and full references. [17] Compare Randle Holme's _double curtail_ with the dolcian in C, pl. vi. H. of Capt. C. R. Day's catalogue, and with a dolcian or single curtail by J. C. Denner in Paul de Wit's _Katalog des Musikhistorischen Museums von Paul de Wit_ (Leipzig, 1903), p. 127, No. 380, and illust. p. 121 (Collection now transferred to Cologne). Consult also Mersenne, _op. cit_., and Michael Praetorius, _Syntagma Musicum_ (Wolfenbuettel, 1618), both of whom describe and figure these forms of early bassoons. [18] _Op. cit_. vol. vii. p. 38. * * * * * Corrections made to printed original. page 340, "exceed, at any time, the sum of L10,000.": 'at ant time' in original. page 370, "thirty-five years of uninterrupted service": 'thrity-five' in original. page 456, "all the chief military events": 'imlitary' in original. End of the Project Gutenberg EBook of Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3, by Various *** END OF THIS PROJECT GUTENBERG EBOOK ENCYC. BRITANNICA, VOL 3, PART 1-3 *** ***** This file should be named 27480.txt or 27480.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/4/8/27480/ Produced by Don Kretz, Juliet Sutherland, Keith Edkins and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was made using scans of public domain material from the Robinson Curriculum.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying cop
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