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of the new-risen West and that of the severely Papal circles to which _Prince Pietro_ belonged being suggested most happily. I wish, though, the authors had been content to leave it at that, as a social comedy about pleasant people getting to understand one another. In an ill-inspired moment, however, they decided to have a dramatic plot, and truth compels me to say that this is a dreary affair, tricked out with such dust-laden devices as secret marriages, missing heirs and concealed papers. There is a steward person who alternately is and isn't the rightful Prince, as we delve deeper into the revelations. Finally, if I followed the intrigue correctly, the long arm of coincidence brought it about that _Elsie's_ mother was the eloping wife of _Pietro's_ uncle. Frankly, all this bored me, because we readers could have been so much more profitably engaged in renewing our Roman memories under such expert guidance. But of course this is a merely personal opinion, which you may not share. * * * * * AUSTRALIAN CORPS. "Sydney.--Timely rains have saved the early corps." The later ones also are now quite recruited, thank you. * * * * * "French Official.--Between the Argonne and the Meuse our heavy huns destroyed an enemy blockhouse in the region of Forges." _Evening Paper._ Stout fellows, these German renegades. * * * * * "Henley (near).--Gentleman offers land, piggeries, poultry-houses to lady or gentleman as guest. Pleasant home."--_The Lady._ _The gentleman to the lady_: "Will you occupy a piggery or a poultry-house?" End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. 150, January 26, 1916, by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** ***** This file should be named 22612.txt or 22612.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/6/1/22612/ Produced by Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying c
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