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o rival poets, while from a certain wild pathos combined with its imposing grandiloquence it was long a favorite with the people. The same person also translated a play by Garnier on the story of Cornelia the wife of Pompey;--a solitary instance apparently of obligation to the French theatre on the part of these founders of our national drama. By Thomas Hughes the misfortunes of Arthur, son of Uther Pendragon, were made the subject of a tragedy performed before the queen. Preston, to whom when a youth her majesty had granted a pension of a shilling a day in consideration of his excellent acting in the play of Palamon and Arcite, composed on the story of Cambyses king of Persia "A lamentable tragedy mixed full of pleasant mirth," which is now only remembered as having been an object of ridicule to Shakespeare. Lilly, the author of Euphues, composed six court comedies and other pieces principally on classical subjects, but disfigured by all the barbarous affectations of style which had marked his earlier production. Christopher Marlow, unquestionably a man of genius, however deficient in taste and judgement, astonished the world with his Tamburlain the Great, which became in a manner proverbial for its rant and extravagance: he also composed, but in a purer style and with a pathetic cast of sentiment, a drama on the subject of king Edward II., and ministered fuel to the ferocious prejudices of the age by his fiend-like portraiture of Barabas in The rich Jew of Malta. Marlow was also the author of a tragedy, in which the sublime and the grotesque were extraordinarily mingled, on the noted story of Dr. Faustus; a tale of preternatural horrors, which, after the lapse of two centuries, was again to receive a similar distinction from the pen of one of the most celebrated of German dramatists: not the only example which could be produced of a coincidence of taste between the early tragedians of the two countries. Of the works of these and other contemporary poets, the fathers of the English theatre, some are extant in print, others have come down to us in manuscript, and of no inconsiderable portion the titles alone survive. A few have acquired an incidental value in the eyes of the curious, as having furnished the ground-work of some of the dramas of our great poet; but not one of the number can justly be said to make a part of the living literature of the country. It was reserved for the transcendent genius of Sha
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