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Mile of Edinborough, etc., two The Old Man's Song to His Wife, two Home, Sweet Home, five Last Rose of Summer, two Darby and Joan. [Illustration: 75th Birthday 73d Birthday For Patriotic and Other Public Services 71st Birthday 72d Birthday TROPHIES AND TRIBUTES PRESENTED TO MRS. BLAKE-ALVERSON] What a lesson it was to me of what a person can do as a singer. I had left a lasting impression upon these people and whenever they heard these songs spoken of or sung they went back in memory with pleasure to the singer who sang them long ago and they were pleased to know they were to hear me once again, even so far from where they had heard me before, and pleased to make themselves known in this pleasant way. I was touched deeply by their kindness and I asked Mr. Kohler to allow me to sing for them Annie Laurie and The Last Rose of Summer. He recalled Mr. Wand, our accompanist, and I gave them these songs as a compliment. Such episodes occur in a singer's life and we are reminded that when work is well done we will always have appreciation, and just reward, and leave a lasting example for good that others may follow with safety. These songs were not showy or brilliant, but they were songs that touched the heart, and left an impression for good. Our California audiences are metropolitan and changing forever. People are here one day and in a twelfth month somewhere else and in my time it was still more changeable than now. No matter what your audience is it is the singer's duty to please every listener as near as possible and leave an impression. My advice to the singer is: Make your song a part of yourself, understand the composer's meaning, have a picture before you of the situation, of the meaning of the sentiment. Never sing anything that is beyond your powers, select that which you are able to understand thoroughly yourself, and when you have mastered every difficulty and can give yourself pleasure in the rendering of it, you may be well assured you will make some one else happy. An audience demands your complete resources, so you must not imagine you can carelessly give anything but your best efforts. The selections should always be less difficult than you are really capable of performing, a safe rule to follow. Then your audience will know you bring authority to your task, and authority is very necessary to command respect. He who does not think well of this makes a grave mistake, for while he thinks pe
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