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njoyed many triumphs, while it has nevertheless experienced sundry disasters. There was great trouble, for instance, at Drury-lane Theatre in 1755, when Mr. Garrick's "Chinese Festival" with its French dancers was sternly, even savagely, condemned by the audience. The manager was over-fond of spangles and spectacles, or inclined to over-estimate his public's regard for such matters, and a sharp but necessary lesson was read to him upon that occasion. Then he was very obstinate, and in such wise roused the British lion inordinately. He would not withdraw the play from his stage; promptly the audience determined that no stage should be left him upon which to represent either the "Chinese Festival" or anything else. Of course he had to yield at last, as managers must when playgoers are resolute; he had to live by pleasing, not displeasing. But he did not give way until there had been some six nights of uproar and riot. In vain did various noble lords and gentlemen, friends of the management, and supporters of spectacle and the ballet, draw their swords, endeavouring to awe malcontents, to restore order, and to defend the theatre from outrage. The mob would have its way. The benches were torn up, the decorations torn down, chandeliers smashed, even scenes and properties were ruthlessly destroyed. There was, indeed, a wild proposition rife at one time to fire the house and burn it to the ground. Garrick could but strike his flag, and yield up his "Chinese Festival." Still it was agreed that he had hesitated too long. The mob therefore repaired to Southampton Street, and smashed his window-panes, doing other mischief to his property there. He began even to tremble for his life, and from his friends in power obtained a guard of soldiery to protect him. Strange to say, on two of the nights of riot the king was present--a fact that did not in the least hinder or mitigate the violent demonstrations of the audience. But it was not so much the ballet that gave offence as the ballet-dancers whom Garrick had brought from Paris. They were chiefly Swiss, but the audience believed them to be French, and at that time a very strong anti-Gallican feeling prevailed in the land. The relations between England and France were of an unfriendly kind; the two countries were, indeed, on the eve of war. The French, by their conduct in America, had incurred the bitterest English enmity. It is true that Garrick had projected his spectacle months bef
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