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nt." But now, with bowed head, she is struggling, for he has come close to her, so close that his heart and hers might almost meet in their wild leaping, so close that in audacious search for the missing headgear his hands are reaching down behind the shrinking, slender little form, and his long, sinewy arms almost encircling her. The war of words at the back stairs "now trebly thundering swelled the gale," but it is not heard here at the front. His hands have grasped her wrists now. His blond head is bowed down over hers, so that his lips hover close to the part of the dusky hair. "My hat, Maidie," he cries, "or I'll--I'll take what I want!" Both hands tugging terrifically at those slender wrists now, and yet not gaining an inch. "Do you hear?--I'll--I'll take----" "You sha'n't!" gasps Miss Ray, promptly burying her glowing face in the breast of that happy Khaki, and thereby tacitly admitting that she knows just what he wants so much more than that hat. And then the long, white hands release their hold of the slim, white wrists; the muscular arms twine tight about her, almost lifting her from her feet; the bonny brown head bows lower still, his mustache brushing the soft, damask-rose-like cheek. "I must go, Maidie,--darling!" he whispers, "without the hat if need be, but not without--this--and this--and this--and this," and the last one lingers long just at the corner of the warm, winsome, rosy lips. She could not prevent it--perhaps she did not try. THE END. End of the Project Gutenberg EBook of Ray's Daughter, by Charles King *** END OF THIS PROJECT GUTENBERG EBOOK RAY'S DAUGHTER *** ***** This file should be named 19480.txt or 19480.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/9/4/8/19480/ Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project
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