he buildings from the Chard road. Over the entrance tower is the
inscription:

ANO' D'NI MILLESIMO QUINQUESIMO VIC'MO OCTA'O
A D'NO FACTUM EST THOMA CHARD ABB.

The beautiful cloisters are much admired and the magnificent porch is
one of the finest entrances in England. In the "state" apartments the
grandeur of the ceiling in the Banqueting Hall is almost unique. The
great Staircase was designed by Inigo Jones; this leads to the Grand
Saloon in which are five Raphael tapestries, the finest in England;
unsurpassed for the beauty of their colouring. The original cartoons
are in South Kensington Museum. The visitor is conducted through the
Monks' Dormitory to the Transitional Chapel, the resting place of
Adeliza, Viscountess of Devon, who founded the Abbey for some homeless
monks, wayfarers from Waverley in Surrey, who had unsuccessfully
colonized at distant Brightley and were tramping home. This was in
1140. In 1148 the church was completed. The carved screen is
elaborately beautiful and there are several interesting memorials of
the families who have held this splendid pile of buildings, now the
property of the Ropers. The traveller by the Exeter express has a
charming glimpse of the picturesque "back" of the abbey, should he
make his journey in the winter. In summer the jealous greenery hides
all but a stone or two of the battlements.

Chard is surrounded by a number of small and secluded villages. Most
of them are delightfully situated on the sides of wooded heights or
between the encircling arms of the hills. The most charming is perhaps
Cricket St. Thomas on the south of the Crewkerne road. On the other
side of this highway, on the headwaters of the River Isle, is another
beautifully situated hamlet called Dowlish Wake, after the ancient
Somerset family of that name who flourished here in the fourteenth
century. A short distance north is Ilminster, an ancient market town
with a beautiful Perpendicular church crowned with a poem in stone
that is of surpassing loveliness even in this county of lovely towers.
White Staunton, four miles away to the west towards the Blackdown
country, has a church remarkable for the number of interesting details
it contains, though the fabric itself is rather commonplace. Its
treasures include a very early Norman font, curious pewter communion
vessels, a squint having an almost unique axis, some ancient bench
ends and medieval tiles in the chancel. St. Agnes' Well, a spring near
t