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of others into the world, and that an author to whom such magnificent works were due would himself pass judgment and publicly express his opinion--this aroused the greatest hopes. Moreover, men of worth quickly gathered about him, and this alliance of preeminent _litterateurs_ was so active that the _Merkur_ during a period of several years may be employed as a textbook of our literary history. On the public generally its influence was profound and significant, for if, on the one hand, reading and criticism became the possession of a greater multitude, the desire to give instant expression to his thoughts became active in everyone who had anything to give. More was sent to the editor than he expected and desired; his success awakened imitators; similar periodicals arose which crowded upon the public, first monthly, then weekly and daily, and which finally produced that confusion of Babel of which we were and are witnesses, and which, strictly speaking, springs from the fact that everyone wishes to talk, but no one is willing to listen.. The quality which maintained the value and the dignity of the _Deutscher Merkur_ for many years was its editor's innate liberality. Wieland was not created to be a party leader; he who recognizes moderation as the chief maxim cannot make himself guilty of one-sidedness. Whatever excited his active spirit he sought to equalize within himself through taste and common sense, and thus he also treated his collaborators, for none of whom he felt very much enthusiasm; and as, while translating the ancient authors whom he so highly esteemed, he was accustomed frequently to attack them in his notes, so, by his disapproving annotations, he often vexed, and actually estranged, valued and even favorite contributors. Even before this, our friend had been forced to endure full many an attack on account of major or minor writings; so much the less as the editor of a periodical could he escape literary controversies. Yet here, too, he shows himself ever the same. Such a paper war can never last long for him, and if it threatens to be in any degree protracted, he gives his opponent the last word and goes his wonted path. Foreigners have sagaciously observed that German authors regard the public less than the writers of other nations, and that, therefore, one can tell from his writings the man who is developing himself, and the man who seeks to create something to his own satisfaction,--and, consequ
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