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was first produced in Paris, in November, 1831.--_Trans._] [Footnote 22: B That is, the second act of the second part of "Faust," which was not published entire till after Goethe's death.--_Trans._] [Footnote 23: In the original book this conversation follows immediately the one of December 21, 1831, and with the remainder of the book is prefaced thus:--"The following I noted down shortly afterwards (that is, after they took place) from memory."--Trans.] [Footnote 24: A distinguished die-cutter in Rome.] [Footnote 25: Giovanni Hamerani was papal die-cutter from 1675 to 1705.] [Footnote 26: A C. A. Bottiger had surrendered his position as director of the Gymnasium of Weimar and had gone to Dresden, while Heinrich Voss (1779-1822), an enthusiastic young admirer of Goethe, had come to the gymnasium.] [Footnote 27: An association of civil officials of Mannheim had intrusted to Goethe a sum of money to erect a memorial to Count von Dalberg, but the plan was never carried out.] [Footnote 28: a Theodor Koerner (1791-1813), at that time a dramatist in Vienna, and closely connected with the Humboldt family through Wilhelm's friendship for Christian G. Koerner.] [Footnote 29: J. H. Voss, although his translation of AEschylus was not printed until 1826.] [Footnote 30: Humboldt's translation of the _Agamemnon of AEschylus_.] [Footnote 31: Voss and his son.] [Footnote 32: August, who went to Italy, in March, 1830, and died there eight days after this letter was written.] [Footnote 33: Schiller died May 9, 1805] [Footnote 34: By Calderon] [Footnote 35: Zelter's eldest son had shot himself.] End of the Project Gutenberg EBook of The German Classics of The Nineteenth and Twentieth Centuries, Vol. II, by Editor-in-Chief: Kuno Francke *** END OF THIS PROJECT GUTENBERG EBOOK THE GERMAN CLASSICS, VOL. 2 *** ***** This file should be named 11366.txt or 11366.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/3/6/11366/ Produced by Stan Goodman, Jayam Subramanian and PG Distributed Proofreaders Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties.
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