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y history has been written at first hand Seeing him eat olives with a fork! She lose her head, and her accomplice to be broken on the wheel Spark of ambition would have destroyed all his edifice Spoil all by asking too much Spoke only about as much as three or four women Sulpicians Supported by unanswerable reasons that did not convince Suspicion of a goitre, which did not ill become her Teacher lost little, because he had little to lose The clergy, to whom envy is not unfamiliar The porter and the soldier were arrested and tortured The shortness of each day was his only sorrow The most horrible sights have often ridiculous contrasts The argument of interest is the best of all with monks The nothingness of what the world calls great destinies The safest place on the Continent There was no end to the outrageous civilities of M. de Coislin Touched, but like a man who does not wish to seem so Unreasonable love of admiration, was his ruin We die as we have lived, and 'tis rare it happens otherwise Whatever course I adopt many people will condemn me Whitehall, the largest and ugliest palace in Europe Who counted others only as they stood in relation to himself Wise and disdainful silence is difficult to keep under reverses With him one's life was safe World; so unreasoning, and so little in accord with itself If you wish to read the entire context of any of these quotations, select a short segment and copy it into your clipboard memory--then open the following eBook and paste the phrase into your computer's find or search operation. Memoirs of Louis XIV. by Saint-Simon http://www.gutenberg.net/dirs/3/8/7/3875/3875-h/3875-h.htm End of the Project Gutenberg EBook of Quotes and Images From Memoirs of Louis XIV., by Duke of Saint-Simon, Edited and Arranged by David Widger *** END OF THIS PROJECT GUTENBERG EBOOK QUOTES SAINT-SIMON *** ***** This file should be named 7565.txt or 7565.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/7/5/6/7565/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission an
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