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ey which Clive paid over to her, beyond her lifetime; and will certainly leave it and her savings to little Tommy. I should not be surprised if Madame de Moncontour left a smart legacy to the Pendennis children; and Lord Kew stood godfather in case--in case Mr. and Mrs. Clive wanted such an article. But have they any children? I, for my part, should like her best without, and entirely devoted to little Tommy. But for you, dear friend, it is as you like. You may settle your Fable-land in your own fashion. Anything you like happens in Fable-land. Wicked folks die a propos (for instance, that death of Lady Kew was most artful, for if she had not died, don't you see that Ethel would have married Lord Farintosh the next week?)--annoying folks are got out of the way; the poor are rewarded--the upstarts are set down in Fable-land,--the frog bursts with wicked rage, the fox is caught in his trap, the lamb is rescued from the wolf, and so forth, just in the nick of time. And the poet of Fable-land rewards and punishes absolutely. He splendidly deals out bags of sovereigns, which won't buy anything; belabours wicked backs with awful blows, which do not hurt; endows heroines with preternatural beauty, and creates heroes, who, if ugly sometimes, yet possess a thousand good qualities, and usually end by being immensely rich; makes the hero and heroine happy at last, and happy ever after. Ah, happy, harmless Fable-land, where these things are! Friendly reader! may you and the author meet there on some future day. He hopes so; as he yet keeps a lingering hold of your hand, and bids you farewell with a kind heart. Paris, 28th June 1855. THE END End of Project Gutenberg's The Newcomes, by William Makepeace Thackeray *** END OF THIS PROJECT GUTENBERG EBOOK THE NEWCOMES *** ***** This file should be named 7467.txt or 7467.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/7/4/6/7467/ Produced by Tapio Riikonen Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Proje
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