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ns--et puis--et puis des maisons encore--ou est bonne maman? [Exit little LEONORE down an alley. Ethel. Do you remember when we were children, and you used to make drawings for us? I have some now that you did--in my geography book, which I used to read and read with Miss Quigley. Clive. I remember all about our youth, Ethel. Ethel. Tell me what you remember? Clive. I remember one of the days, when I first saw you, I had been reading the Arabian Nights at school--and you came in in a bright dress of shot silk, amber, and blue--and I thought you were like that fairy-princess who came out of the crystal box--because---- Ethel. Because why? Clive. Because I always thought that fairy somehow must be the most beautiful creature in all the world--that is "why and because." Do not make me Mayfair curtsies. You know whether you are good-looking or not: and how long I have thought you so. I remember when I thought I would like to be Ethel's knight, and that if there was anything she would have me do, I would try and achieve it in order to please her. I remember when I was so ignorant I did not know there was any difference in rank between us. Ethel. Ah, Clive! Clive. Now it is altered. Now I know the difference between a poor painter and a young lady of the world. Why haven't I a title and a great fortune? Why did I ever see you, Ethel; or, knowing the distance which it seems fate has placed between us, why have I seen you again? Ethel (innocently). Have I ever made any difference between us? Whenever I may see you, am I not too glad? Don't I see you sometimes when I should not--no--I do not say when I should not; but when others, whom I am bound to obey, forbid me? What harm is there in my remembering old days? Why should I be ashamed of our relationship?--no, not ashamed--shy should I forget it? Don't do that, sir; we have shaken hands twice already. Leonore! Xavier! Clive. At one moment you like me: and at the next you seem to repent it. One day you seem happy when I come; and another day you are ashamed of me. Last Tuesday, when you came with those fine ladies to the Louvre, you seemed to blush when you saw me copying at my picture; and that stupid young lord looked quite alarmed because you spoke to me. My lot in life is not very brilliant; but I would not change it against that young man's--no, not with all his chances. Ethel. What do you mean with all his chances? Cl
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