his appetite
in check, at least for a time, and, seeing the vanity of things, strive
after that which is permanent. The capacity of the sublime is one of the
noblest aptitudes of man. Beauty is useful, but does not go beyond man.
The sublime applies to the pure spirit. The sublime must be joined to
the beautiful to complete the aesthetic education, and to enlarge man's
heart beyond the sensuous world.

Without the beautiful there would be an eternal strife between our
natural and rational destiny. If we only thought of our vocation as
spirits we should be strangers to this sphere of life. Without the
sublime, beauty would make us forget our dignity. Enervated--wedded to
this transient state, we should lose sight of our true country. We are
only perfect citizens of nature when the sublime is wedded to the
beautiful.

Many things in nature offer man the beautiful and sublime. But here
again he is better served at second-hand. He prefers to have them
ready-made in art rather than seek them painfully in nature. This
instinct for imitation in art has the advantage of being able to make
those points essential that nature has made secondary. While nature
suffers violence in the organic world, or exercises violence, working
with power upon man, though she can only be aesthetical as an object of
pure contemplation, art, plastic art, is fully free, because it throws
off all accidental restrictions and leaves the mind free, because it
imitates the appearance, not the reality of objects. As all sublimity
and beauty consists in the appearance, and not in the value of the object,
it follows that art has all the advantages of nature without her shackles.

THE PATHETIC.

The depicting of suffering, in the shape of simple suffering, is never
the end of art, but it is of the greatest importance as a means of
attaining its end. The highest aim of art is to represent the
super-sensuous, and this is effected in particular by tragic art,
because it represents by sensible marks the moral man, maintaining
himself in a state of passion, independently of the laws of nature.
The principle of freedom in man becomes conscious of itself only by
the resistance it offers to the violence of the feelings. Now the
resistance can only be measured by the strength of the attack. In
order, therefore, that the intelligence may reveal itself in man as a
force independent of nature, it is necessary that nature should have
first displayed all her p