om), from the state in which it is, itself prescribes to physical
nature which accompanies it, its own state, and in that the state of
moral perfection is precisely in it the most favorable for the
accomplishment of the physical conditions of beauty, it follows that it
is the mind which renders beauty possible; and there its action ends.
But whether real beauty comes forth from it, that depends upon the
physical conditions alluded to, and is consequently a free effect of
nature. Therefore, as it cannot be said that nature is properly free in
the voluntary movements, in which it is employed but as a means to attain
an end, and as, on the other side, it cannot be said that it is free in
its involuntary movements, which express the moral, the liberty with
which it manifests itself, dependent as it is on the will of the subject,
must be a concession that the mind makes to nature; and, consequently, it
can be said that grace is a favor in which the moral has desired to
gratify the sensuous element; the same as the architectonic beauty may be
considered as nature acquiescing to the technical form.

May I be permitted a comparison to clear up this point? Let us suppose a
monarchical state administered in such a way that, although all goes on
according to the will of one person, each citizen could persuade himself
that he governs and obeys only his own inclination, we should call that
government a liberal government.

But we should look twice before we should thus qualify a government in
which the chief makes his will outweigh the wishes of the citizens, or a
government in which the will of the citizens outweighs that of the chief.
In the first case, the government would be no more liberal; in the
second, it would not be a government at all.

It is not difficult to make application of these examples to what the
human face could be under the government of the mind. If the mind is
manifested in such a way through the sensuous nature subject to its
empire that it executes its behests with the most faithful exactitude, or
expresses its sentiments in the most perfectly speaking manner, without
going in the least against that which the aesthetic sense demands from it
as a phenomenon, then we shall see produced that which we call grace.
But this is far from being grace, if mind is manifested in a constrained
manner by the sensuous nature, or if sensuous nature acting alone in all
liberty the expression of moral nature was absent. In