FREE BOOKS

Author's List




PREV.   NEXT  
|<   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194  
195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   >>   >|  
ricide of Indra, and a long list might be made of the reticences of the Veda.... It would be difficult to extract from the hymns a chapter on the loves of the gods. The goddesses are veiled, the adventures of the gods are scarcely touched on in passing.... We must allow for the moral delicacy of the singers, and for their dislike of speaking too precisely about the gods. Sometimes it seems as if their chief object was to avoid plain speaking.... But often there is nothing save jargon and indolence of mind in this voluntary obscurity, for already in the Veda the Indian intellect is deeply smitten with its inveterate malady of affecting mystery the more, the more it has nothing to conceal; the mania for scattering symbols which symbolise no reality, and for sporting with riddles which it is not worth while to divine."(1) Barth, however, also recognises amidst these confusions, "the inquietude of a heart deeply stirred, which seeks truth and redemption in prayer". Such is the natural judgment of the clear French intellect on the wilfully obscure, tormented and evasive intellect of India. (1) Les Religions de l'Inde, p. 21. It would be interesting were it possible to illuminate the criticism of Vedic religion by ascertaining which hymns in the Rig-Veda are the most ancient, and which are later. Could we do this, we might draw inferences as to the comparative antiquity of the religious ideas in the poems. But no such discrimination of relative antiquity seems to be within the reach of critics. M. Bergaigne thinks it impossible at present to determine the relative age of the hymns by any philological test. The ideas expressed are not more easily arrayed in order of date. We might think that the poems which contain most ceremonial allusions were the latest. But Mr. Max Muller says that "even the earliest hymns have sentiments worthy of the most advanced ceremonialists".(1) (1) History of Sanskrit Literature, p. 556. The first and oldest source of our knowledge of Indo-Aryan myths is the Rig-Veda, whose nature and character have been described. The second source is the Atharva-Veda with the Brahmanas. The peculiarity of the Atharva is its collection of magical incantations spells and fragments of folklore. These are often, doubtless, of the highest antiquity. Sorcery and the arts of medicine-men are earlier in the course of evolution than priesthood. We meet them everywhere among races who have not developed the
PREV.   NEXT  
|<   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194  
195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   >>   >|  



Top keywords:

intellect

 

antiquity

 

Atharva

 

relative

 
deeply
 
source
 

speaking

 

philological

 

determine

 

thinks


impossible

 
present
 

easily

 

ceremonial

 
evolution
 

allusions

 
Bergaigne
 
arrayed
 
expressed
 

inferences


developed

 

comparative

 
priesthood
 

latest

 

critics

 
discrimination
 

religious

 

fragments

 
knowledge
 
folklore

oldest
 

ancient

 
spells
 
magical
 

collection

 

peculiarity

 

incantations

 

nature

 
character
 

doubtless


earliest

 
medicine
 

earlier

 

Brahmanas

 

Muller

 

sentiments

 

worthy

 

Literature

 

Sorcery

 

highest