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foliage as they used to do in their own homes. The young alders and the hawthorn hedges are greening, but it will be a fortnight before we can realise the beauty of that snow-white bloom, with its bitter-sweet fragrance. The cuckoo-flower came this year before instead of after the bird, they tell us, showing that even Nature, in these days of anarchy and misrule, is capable of taking liberties with her own laws. There is a fragrance of freshly turned earth in the air, and the rooks are streaming out from the elms by the little church, and resting for a bit in a group of plume-like yews. The last few days of warmth and sunshine have inspired the birds, and as Francesca and I sit at our windows breathing in the sweetness and freshness of the morning, there is a concert of thrushes and blackbirds in the shrubberies. The little birds furnish the chorus or the undertone of song, the hedge-sparrows, redbreasts, and chaffinches, but the meistersingers 'call the tune,' and lead the feathered orchestra with clear and certain notes. It is a golden time for the minstrels, for nest-building is finished, and the feeding of the younglings a good time yet in the future. We can see one little brown lady hovering warm eggs under her breast, her bright eyes peeping through a screen of leaves as she glances up at her singing lord, pouring out his thanks for the morning sun. There is only a hint of breeze, it might almost be the whisper of uncurling fern fronds, but soft as it is, it stirs the branches here and there, and I know that it is rocking hundreds of tiny cradles in the forest. When I was always painting in those other days before I met Himself, one might think my eyes would have been even keener to see beauty than now, when my brushes are more seldom used; but it is not so. There is something, deep hidden in my consciousness, that makes all loveliness lovelier, that helps me to interpret it in a different and in a larger sense. I have a feeling that I have been lifted out of the individual and given my true place in the general scheme of the universe, and, in some subtle way that I can hardly explain, I am more nearly related to all things good, beautiful, and true than I was when I was wholly an artist, and therefore less a woman. The bursting of the leaf-buds brings me a tender thought of the one dear heart that gives me all its spring; and whenever I see the smile of a child, a generous look, the flash of sympathy in an eye, i
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