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act proved to be the A B C of my study of the man of destiny of South Africa. It was clear that neither Kruger nor his friends knew anything of art, for the picture was an exaggerated reproduction of every defect in the President's homely features, the low, narrow, unintellectual brow, over-small eyes, and heavy, massive expanse of face beneath. The man himself was almost beautiful in comparison with the monster on the canvas, and I really could not help pitying him for his innocent admiration of a thing that ought to be cast into the fire. But presently the President spoke--a mouthful of strange guttural words--in a voice that was like a loud gurgle, and as the great jaws and checks and mouth heaved and opened, I stole a glance at the picture, and it did not seem to me then as if the painter had libelled the man. At any rate, the explosive dialect so expanded the cheeks and widened the mouth that I perceived some resemblance to the brutal picture. THE TRANSVAAL "SIR ORACLE." I was told by my introducer, after the interview was over, that the President had already read a chapter in the Bible, and that it is his custom to do so every morning before appearing in public. I then understood the meaning and tone of his last words to me. Said he: "What I have said, shall be done." He was alluding to the fact that the Dynamite Monopoly and Railway Rates were the children of the State, but they should be put into the hands of the Attorney-General, and if it were discovered that the terms of the concessions were in any way contravened, reparation should be made. The manner of his last words reminded me of the Jovic way--"and what I will, is fate"--but when I learned how he had been engaged, I knew he had been infected with the style of the Pentateuch. THE "HUMBUG POSE." This humour of Mr Kruger's is becoming more pronounced as he ages. He has fully arrived at that stage of life which made Mr Gladstone so impossible in the Cabinet. There is abundance of life and vitality in the President, but he is so choleric that he is unable to brook any opposition. Any expression suggesting him to be mistaken in his views or policy rouses his temper, the thunderous gurgle is emitted, and the right arm swings powerfully about, while the eyes become considerably buried under the upper eyelids. I suppose, from the photograph of him now on sale at Pretoria, which represents his eyes looking upward, he fancies this to be the im
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