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Hail to thee, blithe Spirit! Bird thou never wert, That from heaven, or near it Pourest thy full heart In profuse strains of unpremeditated art. Higher still and higher From the earth thou springest, Like a cloud of fire The blue deep thou wingest, And singing still dost soar, and soaring ever singest. In the golden lightning Of the sunken sun O'er which clouds are brightening, Thou dost float and run, Like an unbodied joy whose race is just begun. The pale purple even Melts around thy flight; Like a star of heaven In the broad daylight Thou art unseen, but yet I hear thy shrill delight. Keen as are the arrows Of that silver sphere Whose intense lamp narrows In the white dawn clear, Until we hardly see, we feel that it is there. How shall we create an atmosphere for the reading of these verses! How can we catch the spirit of the creator of them! Shall we ever feel ready to voice that first line? Do you know Jules Breton's picture _The Lark_? Do you love it? Go, then, and stand before it, actually or in imagination. Let something of the spirit which informs that lovely child, lifting her eyes, her head in an attitude of listening rapture, steal over you. I know her power. I have tested it. In reading the "Skylark" with a class of boys and girls from twelve to fourteen years old, I tried the experiment. I happened to have with me a beautiful copy of Breton's picture. I took it to the class-room. I wrote on the blackboard verses of the poem and hung the picture over them. The _picture_ taught them to read the poem. The eyes of the girl became their teacher. I tried the experiment, with a private pupil in my studio, with a somewhat different result. I had told her to bring a copy of Shelley's poems to her next lesson. "Do you know the ode _To a Skylark_?" I asked. "Yes," she said. A copy of Breton's picture hung on the wall. "Before you open your book look at the picture," I said. She obeyed. Her expression, always radiant, deepened its radiance. "Do you know what the girl is doing?" I asked. "Oh yes, she is listening to the skylark." "How do you know?" "I have heard the skylark sing." "I never have," I said. "Read the poem to me." Now when _I_ read the "Skylark," I
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