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turned to Rome.[215] FOOTNOTES: [209] In the record of her household expenses, under date of November 20, 1506, there is the following entry: A Garzia Spagnolo per andare a Venezia per la nova del Duca Valentino che era fugito de progione. November 27, she wrote to Gonzaga. [210] Record of Lucretia's household expenses for the year 1506 (Archives of Modena): July 31, 1506, a Federigo Cancelliere del Duca Valentino per andare per le poste in Spagna dal Duca. [211] Despatch of the Ferrarese ambassador to France, Manfredo Manfredi, to Duke Alfonso, January, 1507. [212] Letters of Hieronymus Magnaninus to his master, Alfonso, Ferrara, April 11 to 22, archives of the Este. [213] Caesaris Borgiae Ducis Epicedium per Herculem Strozzam ad Divam Lucretiam Borgiam Ferrariae Ducem. In Strozzi Poetae Pater et Filius, Paris, 1530. [214] See Cittadella's genealogy of the house of Borgia. [215] Letter of Giulio Alvarotti from France, February 14, 1550, in the archives of Modena. CHAPTER IX MURDER OF ERCOLE STROZZI--DEATH OF GIOVANNI SFORZA AND OF LUCRETIA'S ELDEST SON Alfonso's hopes of having an heir had twice been disappointed by miscarriages, but April 4, 1508, his wife bore him a son, who was baptized with the name of his grandfather. Ercole Strozzi regarded the birth of this heir to the throne as the fulfilment of his prophesy. In a _genethliakon_ he flatters the duchess with the hope that the deeds of her brother Caesar and of her father Alexander would be an incentive to her son--both would remind him of Camillus and the Scipios as well as of the heroes of Greece. Only a few weeks after this the genial poet met with a terrible end. His devotion to Lucretia was doubtless merely that of a court gallant and poet celebrating the beauty of his patroness. The real object of his affections was Barbara Torelli, the youthful widow of Ercole Bentivoglio, who gave him the preference over another nobleman. Strozzi married her in May, 1508. Thirteen days later, on the morning of June 6th, the poet's dead body was found near the Este palace, which is now known as the Pareschi, wrapped in his mantle, some of his hair torn out by the roots, and wounded in two and twenty places. All Ferrara was in an uproar, for she owed her fame to Strozzi, one of the most imaginative poets of his time, the pet of everybody, the friend of Bembo and Ariosto, the favorite of the duchess and of the entire court. On his f
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