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: Tu bona tranquillae pacis opima refers. Moribus illa suis speciem temeravit honestam: Innumeris speciem dotibus ipsa colis: Ore deam praestas: virtute venustior alma: Foeda Helenae facies aequiparata tuae. [162] Caelii Calcagnini Ferrariensis. In Illustriss. Divi Alphonsi Primogeniti Herculis Ducis Ferr. ac Divae Lucretiae Borgiae Nuptias Epithalamium. Laurentius de Valentia Imprimebat Ferrariae Deo Opt. Max. Favente. Calend. Febr. MDII. [163] Est levis haec jactura tamen, ruat hoc quoque quicquid Est reliquum, juvet et nudis habitare sub antris, Vivere dura liceat tecum pulcherrima virgo. Ludovici Areosti Ferrariensis Epithalamion, in vol. i of Carmina Illustrium Poetarum Italorum, p. 342-346. [164] Di mediocre statura, gracile in aspetto, di faccia alquanto lunga, il naso profilato e bello, li capelli aurei, gli occhi bianchi, la bocca alquanto grande con li denti candidissimi; la gola schietta e bianca ornata con decente valore, ed in essere continuamente allegra e ridente. See Lucrezia Borgia in Ferrara. Ferrara, 1867. [165] Agnolo Firenzuola, vol. i. Della perfetto bellezza di una donna. [166] Fu essa Lucrezia di venusto e mansueto aspetto, prudente, di gratissime maniere negli atti, e nel parlare di molta grazia e allegrezza, says Alfonso's secretary, Bonaventura Pistofilo, in his Vita di Alfonso I d'Este. The epithets venusta, gentile, graziosa, amabile, are conferred upon her by all her contemporaries. CHAPTER III FETES GIVEN IN LUCRETIA'S HONOR The wedding festivities in Ferrara continued for six days during the carnival. At the period of the Renaissance, court functions and festivities, so far as the intellectual part is concerned, were not unlike those of the present day; but the magnificent costumes, the highly developed sense of material beauty, and the more elaborate etiquette of the age which gave birth to Castiglione's _Cortegiano_ lent these festivities a higher character. The sixteenth century was far behind our own in many of its productions--theatrical performances, displays of fireworks, and concert music. There were illuminations, and mounted torchlight processions; and rockets were frequently used; but an illuminated garden fete such as the Emperor of Austria gave for the Shah of Persia at Schoenbrunn would at that time have been impossible. The same might be said of certain forms of musical entertainment; for example, concerts. Society in t
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