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il next morning when, running out before breakfast, I make the rounds and find everything untouched. But a few days later the alarm comes again. There is no wind this time, and, what is worse, an ominous silence falls at dusk over the orchard and meadow. "Why is everything so still?" I ask myself. "Oh, of course--the katydids aren't talking--and the crickets, and all the other whirr-y things. Ah! That means business! My poor garden!" "Jonathan!" I call, as I feel rather than see his shape whirling noiselessly in at the big gate after his ride up from the station. "Help me cover my nasturtiums. There'll be frost to-night." "Maybe," says Jonathan's voice. "Not maybe at all--surely. Listen to the katydids!" "You mean, listen to the absence of katydids." "Very well. The point is, I want newspapers." "No. The point is, I am to bring newspapers." "Exactly." "And tuck up your nasturtiums for the night in your peculiarly ridiculous fashion--" "I know it looks ridiculous, but really it's sensible. There may be weeks of summer after this." And so the nasturtiums are tucked up, cozily hidden under the big layers of sheets, whose corners we fasten down with stones. To be sure, the garden _is_ rather a funny sight, with these pale shapes sprawling over its beds. But it pays. For in the morning, though over in the vegetable garden the squash leaves and lima beans are blackened and limp, my nasturtiums are still pert and crisp. I pull off the papers, wondering what the passers-by have thought, and lo! my gay garden, good for perhaps two weeks more! But a day arrives when even newspaper coddling is of no avail. Sometimes it is in late September, sometimes not until October, but when it comes there is no resisting. The sun goes down, leaving a clear sky paling to green at the horizon. A still cold falls upon the world, and I feel that it is the end. Shears in hand, I cut everything I can--nasturtiums down to the ground,--leaves, buds, and all,--feathery sprays of cosmos, asters by the armful. Those last bouquets that I bring into the house are always the most beautiful, for I do not have to save buds for later cutting. There will, alas, be no later cutting. So I fill my bowls and vases, and next morning I go out, well knowing what I shall see. It is a beautiful sight, too, if one can forget its meaning. The whole golden-green world of autumn has been touched with silver. In the low-lying swamp beyond the
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