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ime to draw in mass, to draw rapidly, which is the only possible way of drawing, and which is to-day one of the chief faculties of our moderns. I put myself to draw in the winking of an eye the first group that presents itself; if it moves on I have at least put down the general character; if it stops, I can go on to the details. I do many such exercises, and have even gone so far as to cover the lining of my hat with lightning sketches of opera-ballets and opera scenery. _Corot._ LXVII There is my model (the artist pointed to the crowd which thronged a market-place); art lives by studying nature, not by imitating any artist. _Eupompus._ LXVIII When you have clearly and distinctly learned in what good colouring consists, you cannot do better than have recourse to nature herself, who is always at hand, and in comparison of whose true splendour the best coloured pictures are but faint and feeble. However, as the practice of copying is not entirely to be excluded, since the mechanical practice of painting is learned in some measure by it, let those choice parts only be selected which have recommended the work to notice. If its excellence consists in its general effect, it would be proper to make slight sketches of the machinery and general management of the picture. Those sketches should be kept always by you for the regulation of your style. Instead of copying the touches of those great masters, copy only their conceptions. Instead of treading in their footsteps, endeavour only to keep the same road. Labour to invent on their general principles and way of thinking. Possess yourself with their spirit. Consider with yourself how a Michael Angelo or a Raffaelle would have treated this subject; and work yourself into a belief that your picture is to be seen and criticised by them when completed. Even an attempt of this kind will rouse your powers. _Reynolds._ LXIX What do you mean--that you have been working, but without success? Do you mean that you cannot get the price you ask? then sell it for less, till, by practice, you shall improve, and command a better price. Or do you only mean that you are not satisfied with your work? nobody ever was that I know, except J---- W----. Peg away! While you're at work you must be improving. Do something from Nature indoors when you cannot get out, to keep your hand and eye in practice. Don't get into the way of working too much at your drawings away from N
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