e ignorant, the zeal of the conceited.
_Whistler._
XLIII
Art will not grow and flourish, nay it will not long exist, unless it be
shared by all people; and for my part I don't wish that it should.
_William Morris._
XLIV
No, art is not an element of corruption. The man who drinks from a
wooden bowl is nearer to the brute that drinks from a stone trough than
he who quenches his thirst from a crystal cup; and the artist who gave
the glass its shape, impressed as in a mould of bronze by the simple
means of a second's breath and yet more cheaply than the fashioning of
the wooden bowl, has done more to ennoble and improve his neighbour than
any inventor of a system: in his work he gives him the use and the
enjoyment of things for which orators can only create a craving.
_Jules Klagmann._
XLV
The improviser never makes fine poetry.
_Titian._
XLVI
Agatharcus said to Zeuxis--For my part I soon despatch my Pictures. You
are a happy Man, replies Zeuxis; I do mine with Time and application,
because I would have them good, and I am satisfyed, that what is soon
done, will soon be forgotten.
XLVII
Art is not a pleasure trip. It is a battle, a mill that grinds.
_Millet._
STUDY AND TRAINING
XLVIII
Raphael and Michael Angelo owe that immortal fame of theirs, which has
gone out into the ends of the earth, to the passion of curiosity and
delight with which this noble subject inspired them.
No man who has not studied the sciences can make a work that shall bring
him great praise, save from ignorant and easily satisfied persons.
_Jean Goujon._
XLIX
He that would be a painter must have a natural turn thereto.
Love and delight therein are better teachers of the Art of Painting than
compulsion is.
If a man is to become a really good painter he must be educated thereto
from his very earliest years. He must copy much of the work of good
artists until he attain a free hand.
To paint is to be able to portray upon a flat surface any visible thing
whatsoever that may be chosen.
It is well for any one first to learn how to divide and reduce to
measure the human figure, before learning anything else.
_Duerer._
L
The painter requires such knowledge of mathematics as belongs to
painting, and severance from companions who are not in sympathy with
his studies, and his brain should have the power of adapting itself to
the tenor of the objects which present themselv
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