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ality:-- "I am tired and need repose, for I feel somewhat overcome by the sad news you have given me. May God help you in your efforts to fulfil your promises! My gratitude will surpass all you can imagine. Farewell till to-morrow!" CHAPTER X. Spring, gentle spring, had thrown aside the funeral garb of winter, and earth awoke again to vigorous life. Grinselhof reappeared in all the splendor of its wild, natural scenery; its majestic oaks displayed their verdant domes, its roses bloomed as sweetly as of old, elder-blossoms filled the air with delicious odor, butterflies fluttered through the garden, and every thicket was vocal with the song of birds. Nothing seemed changed at Grinselhof: its roads, its paths, were still deserted, and sad was the silence that reigned in its shadows. Yet immediately around the house there was more life and movement than formerly. At the coach-house two grooms were busy washing and polishing a new and fashionable coach; while the neigh of horses resounded from the stable. A trim waiting-maid stood on the door-sill laughing and joking with the lackeys, and a respectable old butler looked knowingly on the group. Suddenly the clear silvery ring of a bell was heard from the parlor, and the waiting-maid ran in, exclaiming, "Good Heavens! there's Monsieur ringing for his breakfast, and it is not ready yet!" A few moments afterward she was seen mounting the staircase with a rich silver salver covered with breakfast-things; and, entering the parlor, she placed them silently on a table before a young gentleman who seemed entirely absorbed by his own thoughts, and then instantly left the room without a word. The young man began his meal with a careless, indifferent air, as if he either had no appetite or did not know what he was about. The furniture of the apartment in which he sat presented odd and striking contrasts to an observer. While some of the articles were remarkable for the richness and elegance of their modern style, there were chairs, tables, and cabinets whose sombre hue and elaborate carving denoted an antiquity of several centuries. On the walls were numerous pictures, dimmed by smoke and time, encased in frames that had lost half their ornaments and gilding. These were portraits of warriors, statesmen, priests, and prelates. In the dim corners of the canvas armorial bearings of the house of De Vlierbeck might be seen, and many of the articles of furniture were
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